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This is also parallel to Prospero's account of his history, and his confession of causing Antonio's corruption through his own actions. Stephano, Trinculo, and Caliban are drinking; ... who did the same to Caliban by making him a slave as well. This BUNDLE contains 8 of my best selling paired passage resources.To read a blog post about how I use paired passages in my classroom, click here.This resource includes a total of 20 sets of paired passages with text dependent questions and printables, Paired Passages {MEGA Bundle - Seasonal and Non-Seasonal}, If you are required to teach paired passages, this is a must-have resource! GradeSaver, 23 June 2000 Web. A contrast between Miranda and her father shows her to be much more pleasant than her father, who's "composed of harshness": yet, he declares, with overstatement, that he will carry "some thousands of these logs" for his stern taskmaster, because of the great sweetness of Miranda (III.i.9-10). Each paired passage set includes short answer questions about each passage and then short answer questions that require the students to use information from both passages to answer. Stephano first comes bumbling into the scene, drunk, with a bottle in his hand. This paired passage resource contains two sets of paired passages to be used to compare and contrast story elements, including more advanced story elements such as theme and point of view.About the Paired PassagesSet A - Both stories are mysteries about lost items. He is pretty happy. his hand to a monster. Stephano and Trinculo, though arguably less intelligent than Caliban, still treat him like he is hardly human because of his native status and skin color; and the fact that Caliban tolerates this treatment and name-calling shows that he accepts this inferiority and Stephano's tenuous authority as well. The mood and feel of these passages is very different from those appearing before it, and are guided by a blind sort of idealism, and a naïve, young love. Stephano enters singing and drinking. Stefano, a name This disambiguation page lists articles associated with the title Stephano. Stephano may refer to: Fictional characters. Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). He also promises that Stephano will get Miranda if the plot is successful‹Ariel leaves, to tell Prospero of these developments. What do you think she means by this statement. Set B - Both stories are realistic fiction and take place in school settings where characters have to overcome a challenge or solve a problem. The visual and sound imagery is very poetic and learned, and far more emotionally involved than Alonso's previous, clipped responses. Caliban is once again shown to be a "natural servant" because he is a native‹another reflection of the prejudiced Elizabethan views which Shakespeare uses to shape Caliban as a character. However, Gonzalo is more open-minded in his appraisal of the natives than this statement would suggest; "their manners are more gentle-kind than of our human generation you shall find," he says of them, noting the nobility that "savages" like Caliban are capable of displaying (III.iii.33-34). Almost the same events happen here, with the banquet disappearing also, and Ariel, "like a harpy," descending upon them with a very serious speech (III.iii.53). However, these prejudices mean that Caliban, as a character, is very erratic, and his motivations are vague; when he first appears in the play, he is churlish toward his captor and shows a remarkable power of thought, but quite unexpectedly, he turns into a fawning, blind, mindless servant who refuses even to think for himself. They make all the vows of marriage to each other; Ferdinand swears to "love, prize, and honour" Miranda, and in turn Miranda pledges to give him her "modesty," meaning her virginity (III.i.73, 54). Colonial attitudes toward native peoples are an important theme of the work, and Shakespeare's treatment of Caliban is marked by the prejudices of his time. Caliban promises Stephano that if Prospero is successfully killed, he will allow Stephano to be ruler of the island, and will be his servant. I'm not anactor but I might consider that stage makeup is a part of the actor's personality or alter ego when they are performing hence it is very personal. This resource will provide you with an entire year's worth of paired passage practice!This resource includes a total of. Reported resources will be reviewed by our team. In act 2, he spoke very little, and when he did, was very curt and brief in his replies. Alonso recognizes Ariel's words as being of Prospero's pen, and the great guilt of Alonso, Antonio, and Sebastian begins to take them over, at the thought of Prospero being alive, and so nearby. Why did Caliban perform cartwheels at the end? However, the worm was often used as a symbol of corruption and lust, as mentioned in Act 2, scene 4 of Twelfth Night, and as it is represented in William Blake's poem "The Rose". Bates, Rheanna. Set A - Both stories are mysteries about lost items. That Gonzalo is considered good because of it, despite the author's and many of the characters' contradictory views is ironic, and also difficult to understand. But, what is strange about Gonzalo's remark is that Prospero is moved to call him an "honest lord" because of it, though Prospero himself has a negative view of the natives, and does not question the correctness of his own view. Susan Hilferty, Costume Designer, states that stage makeup is the most personal to an actor. Prospero's action in this case might not be fair, but Ferdinand bears it, and in so doing, legitimates Prospero's rule, just as Caliban did; this case again stresses the theme that willful obedience is a legitimate source of power. The language in these sections of the play also turns distinctly sexual, with maidenly Miranda showing her hidden, but mature knowledge of desire and sexual politics. Ferdinand slips into conventional, polished phrases when speaking to this woman whom he hardly knows, an example being when he tells her "'tis fresh morning with me when you are by at night," though they have not been through a night together at all (III.i.33-34). In his speech in this act, Ferdinand employs paradox, overstatement, etc. The Question and Answer section for The Tempest is a great Ariel declares Alonso and his brothers "most unfit to live" because of their conspiracies on the island, and despite the fact that Ariel and Prospero set traps for them and caused them to form these murderous plans. Or, maybe the show of magic is a ploy by Prospero to keep them quiet about events on the island, meant to make the "fools at home condemn Œem" if they ever dare to tell the story (III.iii.27). Similarities Between Principal Characters in Shakespeare's The Tempest, A Post-Colonial Interpretation of The Tempest, The Fierce and Mighty Sea; The Dramatic Function of the Powerful and Ever Present Ocean in The Tempest, The Sensitive Beast: Shakespeare's Presentation of Caliban. 54). However, it must be noted that Ariel also appears right before line 40, and that means that Caliban could merely be voicing words that Prospero had already written for him. Ferdinand is stripped of the privileges of his rank by Prospero, who did the same to Caliban by making him a slave as well. Alonso, Adrian, Francisco, Sebastian, Antonio, and Gonzalo are still wandering about the island, and Alonzo has finally given up any hope of his son Ferdinand being alive. In the same passage Stephano compares A B C D the outdoors to mercy. He does describe them as being of "monstrous shape," which is hardly complimentary and also recalls Trinculo taunting Caliban as being a monster. Ferdinand and Miranda speak with a poetic, romantic, unrealistic tone that is very similar to the tone used by Romeo and Juliet when they spoke to each other; the same devices, of overstatement, paradox, contrast, and comparison are used to make elegant compliments to each other, and high-flown declarations of love. These papers were written primarily by students and provide critical analysis of The Tempest. Determine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text. Ferdinand has been made to take Caliban's place as a servant, despite his royal status; and though he does not like Prospero, he does the work because it will benefit his new love, Miranda. Compare and contrast stories in the same genre (e.g., mysteries and adventure stories) on their approaches to similar themes and topics. 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