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the ascent (1977)

Posted at November 7, 2020

War is fucked up. It intensifies the urgency of the scene and renders acute realism. Long before, in 1963, a tradition was established between the future spouses that for a good idea they would receive ten roubles. Cut!" Notably, the only longer combat sequence between Germans and Soviets plays out behind the opening credits. Sometimes Gostyukhin had to carry the director from the car to the hotel room by himself: Shepitko was sometimes not very well and occasionally her strength weakened. There are plenty of wide shots of the vast landscapes covered by thick snow and interesting zooming techniques that were quite revolutionary for its time. The Ascent, directed by Larisa Shepitko, is not only a tremendously realistic depiction of the horrors of war but also a compelling study of the human condition. "https:" : "http:") + '//www.zergnet.com/zerg.js?id=82730'; Where it leaves the characters was the absolutely worst thing that could have happened to my sleep. The third party was the Soviet Union. The Russian POW joins the partisan guerrillas and proves his loyalty fighting the Nazis. Because of that, and because of the very close camerawork (some of the closeup shots are really wonderful,) this film feels very personal. [12][13], The actor for the role of Portnov was selected based on the image of Sotnikov. 1h 51min | Drama, War | 1977 (Norway) Two Soviet partisans on a mission to gather food contend with the winter cold, the occupying Germans, and their own psyches. Paradoxically, it is Rybak, the stronger and more experienced soldier, who immediately answers all questions in order to save his life, ultimately becoming a police officer in the service of the Nazis. This list is for scripts or source material written or co-written by women. The film was nearly banned: regulatory authorities believed that a "religious parable with a mystical tinge" was shot instead of a partisan story. By her own admission, for a period of four months the director was in "a monstrous mental and physical exhaustion." Snow and blizzards and treachery and cowardice. They rip off older men, feast in lavish meals and do all kinds of mischief. I was so shocked when it ended because it felt like it went by so quickly. © Letterboxd Limited. Ignoring advice to go to Moscow, she went on to shoot the picture from a stretcher on which she was brought from the infectious barracks. Luminous at hallucinatory pitch, delirious from cold, from illness, from pain, from hunger, what confirms and what distracts. Looking for something to watch? IMDb zergnet.type = 'text/javascript'; zergnet.async = true; However, comparing these two films is a disservice to both, as they are completely separate entities. Realizing what he has done, he tries to hang himself in the outhouse with his belt, but fails. In addition she experienced extreme pain which was caused by her recent spinal trauma. A compelling stew about cowardice and betrayal with a touch of melodrama patheticis in the middle but rounded off well so no matter. He said that almost no one knew what effort Shepitko gave when shooting each frame. The third party was the Soviet Union. Like every normal being, he gives in to the survival instinct. I felt a deep connection to this film and to a higher good that I haven't felt in a long time. Set in Nazi-occupied Belarus during World War II, The Ascent follows two Soviet partisans who brave harsh winter landscapes in search of food to sustain their fellow escapees. However, comparing these two films is a disservice to both, as they are completely separate entities. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. The opening five minutes has it all... exposition, beautiful reveals, dramatic framing and cutting and an opening title sequence that plays over a gun fight. I haven't seen most of these movies.…, gabriel guimarães? Two Soviet partisans on a mission to gather food contend with the winter cold, the occupying Germans, and their own psyches. Add the first question. 1,502 films 6,925 124 Edit. Multiple viewings needed. See, for example Elem Klimov (ed.). During the Great Patriotic War (World War II), two Soviet partisans go to a Belarusian village in search of food. Beautifully shot in monochrome with locations to match, from the whites of the winter landscapes covered in deep snow to the almost blackness of dark cellars, The Ascent is an incredibly well-made war narrative concerning extreme fear and great bravery. Michael Koresky, “Eclipse Series 11: Larisa Shepitko”. Three unconnected episodes united by a common theme: the establishment of the Soviet rule in Russia during the civil war of the early 1920s. [6][6], When adapting the script from Sotnikov the main concern of the director was not to lose the deeper philosophical content of the story. Sotnikov is the first to be interrogated by the Russian Nazi collaborator Portnov (Anatoly Solonitsyn) but refuses to answer any questions, even when he is submitted to brutal torture, as a star is burnt on his chest with a red-hot branding iron. A Party member since 1935. Every single member of the cast is excellent but there two that I really want to make note of.First, Boris Plotnikov gives you what I call a physical performance. The use of a hand-held camera during the most vulnerable & personal moments of both the soldiers profoundly convey their inward feelings. At least, that is what I thought for the first 30 minutes. Potentially one of the 50 best war films in human history. A powerful film with incredible sequences. This FAQ is empty. Directed by Larisa Shepitko, "The Ascent" is a harrowing war movie whose chain of events deliberately builds to a powerful finale. (function() { The opening title sequence of The Ascent. Shepitko herself did not ask for or require special treatment and her colleagues remembered her as an example of courage, faith, patience, and extraordinary care. Breath-taking and heart-breaking. I was so shocked when it ended because it felt like it went by so quickly. "Don't crawl in shit. The headman, now suspected of supporting the partisans, and Basya Meyer, the teen daughter of a Jewish shoemaker, are imprisoned in the same cellar for the night. Shepitko’s film interweaves religious and political elements into its visual and narrative fabric in often unexpected ways. But Shepitko still rose two to three hours before the crew to have time to prepare, after which she worked to the maximum limit of her strength throughout the day. One of them will live, but at a very heavy cost. Recs welcome! "Then go, go on living - without a conscience. Just a list of some pretty cool movie posters on the LB database. The final moments in this incredible film are some of the most devastating i've ever experienced in a film, so full of self-hatred and soul-crushing personal torment that so deeply affected me. Mobile site. The chances were very high that the film would be shelved, until Elem Klimov (the husband of Larisa Shepitko and also a film director by profession) decided to take a desperate step. 'The Ascent' (1977) is a multifaceted character study of individuals caught in the middle of war & the war, from within and outward,set during World War II. Klepikov did not refuse the commission, but he asked to postpone working on The Ascent for a week. After realizing that all world is spoiled, Marie and Marie are committed to be spoiled themselves. View production, box office, & company info. I removed all stand-up specials, stage…, Peter Stanley 1,235 films 40,383 1283 Edit, All the films from all the editions, including those subsequently removed, presently totalling 1235. Largely unheard even amongst the avid cinephiles, receded into limbo, and overshadowed by another Russian anti-war drama ‘Come & See’, ‘The Ascent’ is a multifaceted character study of individuals caught in the middle of war & the war within. Later it became a kind of ritual, often preceding the next take on the film set. Check out the official top 100 narrative feature films by women directors list, A very rough list of eccentric cerebral films - films that are consisted of many wonderful imaginative ideas and creations,…, Updated: October 28, 2020 Created: January 19, 2013 View More Lists Follow Me, The Criterion Collection is a video distribution…, *NOTE “foreign film” is, like everything, a dumb made up concept. Have snow-covered trees ever been so beautiful within a film? Check out our editors' picks for our favorite Prime Video original movies and TV series, including "The Boys," "Fleabag," and more. On screen it was necessary to show the deadly fatigue of the flushed, panting people. There's a lot to be said about the meaning of this film, and of course the Christ allegory, but I think the big thing for me was the eyes motif. Sheptiko extensively uses Christian motifs in her film to draw political significance and the individual’s internal conflict. © Letterboxd Limited. Film data from TMDb. it’s a concept that has A LOT to do…, Ranked by average user rating. The young and sickly Sotnikov (Boris Plotnikov) and the physically stronger, experienced soldier Rybak (Vladimir Gostyukhin) are ultimately forced to choose between life and death, as survival will only become possible by betrayal. Slow burn no doubt, but the pacing makes it all the more powerful. Theoretically, the film could portray the absence of the belt, but then - according to the writers - the scene would be limited to the designation of the circumstances: informative but unimpressive denial in terms of the artistic sense. [14], In order to achieve the desired performance from the actors, Shepitko sometimes talked for a long time with them out in the cold. Goes beyond words. Khrushchev’s Thaw had allowed filmmakers, for the first time, to move away from heroic propaganda narratives about the Great Patriotic War and to explore more personal and unsettling aspects of the war.6 Despite the shifting political and cultural landscape under Brezhnev, which saw for example Yuri Ozerov’s epic five-part war film series Osvobozhdenie (Liberation, 1971), The Ascent aligns itself with this earlier line of investigation into the psychological dimension of personal struggle and suffering in war rather than of its battles. Use the HTML below. Directed by Larisa Shepitko. Despite limited distribution in Soviet cinemas, the film was positively reviewed in major Soviet film magazines and was generally well received by state officials.1 Moreover, The Ascent won the Golden Bear at the 1977 Berlin International Film Festival, after which Shepitko showed the work at film festivals in Telluride and Toronto, and even returned to the Berlinale in 1978 as a member of the international jury.2, Even though The Ascent and Shepitko’s other masterly films have since been praised by critics and scholars in both the East and the West, they remain far less known and exhibited than those of her contemporaries at the VGIK film school in Moscow – Andrei Tarkovsky, Sergei Parajanov, and her husband Elem Klimov.3 Like many female filmmakers’, Shepitko’s contribution to the history of cinema has often been downplayed or overlooked, but her extraordinary talent and the significance of her work have recently begun to receive greater recognition.4, Writing in 2014, for example, David C. Gillespie, declared The Ascent to be “perhaps the most important war film of the 1970s and one of the key films of the entire Brezhnev period.”5. So much horror. Rybak (Vladimir Gostyukhin) has to take him to the nearest shelter, the home of Demchikha (Lyudmila Polyakova), the mother of three young children. He dies and rises above his tormentor. Larisa Shepitko has left behind one of the greatest films ever made, one that deals with the senseless brutality of war, stoicism, betrayal, and martyrdom - Either you live to die or die to live, you make your choice and suffer the consequences thereafter.

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